Thai jewellery art dating from the prehistoric times until Rattanakosin period was created to be used by humans. However, it’s not made in order to display the highest quality of craftsmanship or as a way to decorate. According to archeological as well as anthropological evidence, it can be assumed that jewellery is among the first methods men employed to show their sense of beauty as well as to strengthen their connection with society and the environment. The most important thing is the reason for the jewellery which is to worship sacred souls of nature and self by using “body” to drive “internal context.” This article will present ideas based on principles, and to examine the processes that are crucial to knowledge of jewellery art. This article is meant to help ascendants be able to bring back jewellery art’s fading importance back to its glory. The history of Thai jewelry art began between 50,000 and 1,700 years ago. Necklaces and bracelets made Jewellery Jobs from bones and shells can be found in graves of both males as well as women. As for the reason why jewellery is frequently buried with the deceased, cultural anthropologists point that people believed that death might be something that could be a sign of life-long continuity which is similar to Brahman (a religion that originated from Buddhism) who believes that the souls of the dead will reincarnate. Jewellery should then follow those who have died to serve them in the following life.
They do not just attempt to understand their environment by altering it, but also analyze the traits of individuals and communities. This can be seen from spaces designed to be a part of society until people can beat nature’s chaos. In the study of an progress of civilisation the idea is revealed in the shape of belief. Humans blend into the customs they follow which are embedded in every person up to the point that “customs” are formed. Jewellery or other objects of mystery become symbols of this worship. This is due to the fact that it is closest to our bodies and best expresses human behaviours. Eventhough men always reorganise and enhance their customs and customs, the conviction in the power and power of objects is still held. It’s evident in the fact that they continue to create superstitious objects for the worship of souls and life. The boundaries of the belief are determined by the religious practices that are accompanied by cultural objects, jewellery. The beliefs are maintained through folktales and pictures that depict relationships between men as well as nature, power, and the world. It is important that men must choose the best option that fits the context, for example materials, forms and colors, or symbols.
But, the ceremony cannot be completed without “body.” The reason is that our bodies are the initial site where the ritual takes place and where the jewellery is touched. At the same time it is the body that reveals the internal context of the jewellery in order to make this a complete worship service for purity of the soul. In the context of a worship service, the superstitious materials of prehistoric people provide the foundation for the belief before verbal communications that are reflected in language, images and forms. Cultural objects are represented by beauty of form, time, or eternity in symbolic shapes. They represent stories. Jewellery was the result of men’s intent to worship sacred souls completely.
Jewellery is created, from prehistory through the present, for 4 important objectives to honor status, to display moral support, and to honor the sacred aspects of life and to celebrate the beauty of the aesthetic and philosophical. A study of these elements will unite pictures or models of that legacy left by the delicacy of Thai wisdom.
1. Jewellery to honor status Thai Buddhism culture is influenced by Brahman and Hindu abstract beliefs are combined into a set of attitudes. It is expressed through the belief in “ideal states,” states beyond the acceptance of the five senses. This state has the power to change the world, men or objects. Thai Buddhism culture pays attention to status of individuals with uniqueness created by the power of surrealism. So, jewellery is a tool in worshipping these different states. The majority of people adopt this ideal and develop social ranking and status. This is done for the purposes of communication and ruling particularly in the concept that gods are divine.
2. Jewellery as a tool for moral encouragement
This particular tool of expression is still in use. The jewellery is now not just there to indicate status, but full of internal strength and power. The images and beliefs of the jewelry bring supernatural power to itself. This kind of jewellery does not have the same impact as the original. It is a different kind of jewellery. The reason for this is that the wearer wishes to conceal their power and keep the moral support personal. Jewellery for moral support has psychological effects on three aspects;
o Superstitious beliefs
3. Jewelley as a mean to perform rituals of worship
Think about the life cycle: born, get old fall ill, die, we will find that jewellery is one of the items that embrace values, cultural contexts and stories. Images and the essence of jewelry art, as a result reflect every aspect of human’s life and timing.This type of jewellery aims to worship relationships of the individuals. It acts as a mean to tell the stories of existence and to fulfill psychological purposes. It allows wearers to sense the importance of mind, body and surroundings as part of one another and also to be able to appreciate the importance of traditions. It also represents physical aspects in “publicity” which strengthen the cohesion of the community.
4. Jewellery as a symbol of the beauty of philosophy and aesthetics
What distinguishes this type of jewelry is that the wearer will begin to view jewellery as art and/or design. The importance of jewellery as an object for moral support seems to be fading. The use of jewellery as a means to express oneself plays an crucial function. Jewellery can be considered a philosophical and aesthetical medium. The importance of skilled craftsmanship and care in selecting the best materials will increase. The development of this type of jewelry is distinctive and distinct from prehistoric times until today.This type of jewelry reflects the the inspiration of undiscovered artistic elements including composition, design theory as well as philosophy. Sometimes, it goes beyond the conventional practice. Jewellery is a kind of heart or imagination , which reveals our feelings. It can change how we feel, think, and feelings. It also holds history and stories. Each man has his own poems and stories. They are kept to himself until he discovers a way to express them through jewellery. But jewelry requires special techniques and materials to be able to best reflect thoughts and feelings from the wearer.
As we have mentioned in the introduction that wearing jewellery as a mean of worship is not a good idea without the connection to a body. This is due to the fact that the body is the primary site where the jewellery comes into contact and also the first sensual entrance; sound, sights and tastes the mind and body. The body is what alters the within the jewelry’s internal environment and brings it out. The movement that is made when wearing an item of jewelry could change the whole meaning of it; even before it is seen by the wearer, or interpreted, and fully expressing its essence.There are delicate traditions in using body and space between your body and the jewellery since the prehistoric time period to the Rattanakosin time. There are four aspects which should be noted.
o the belief there exists an unholy soul within the body worthy of paying respect and worshipping.
Physical beauty: There are various parts and spaces that are located on or between the humans that ought to be revered through decoration. This can include establishing the ideal of beauty.
A flaw on the body should be decorated or hidden.
A thing to carry around, remind, remember by or recollect one’s memories of fundamentals of worship.
Men would appreciate the internal significance of jewellery when they reflect on the effects of their interactions with it in the appropriate moment and right place. If the thought of the beauty of placing jewellery upon the body doest not appear on the body, they are not able to experience that “rite of interaction” through any sense. This is because every element of the jewelry is made according to its inner contextand with the intention that people would pay attention to, be aware of, communicate and interpret the things they feel or perceive in the form of observing its meaning with the senses and in preparation for the worship of souls.